眼睛与世界—阿尔珀斯《描绘的艺术:17世纪的荷兰艺术》

Between the Eyes and the World:The Art of Describing:Dutch Art in the Seventeenth Century by Svetlana Alpers

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摘要不同于意大利艺术的叙事性传统,17世纪的荷兰绘画展现出一种制作的性质,在《描绘的艺术:17世纪的荷兰艺术》中,美国艺术史家斯韦特兰娜·阿尔珀斯(Svetlana Alpers,1936~)在欧陆传统内部发起反叛,引人关注到荷兰绘画的“描绘性”特征—“荷兰绘画与现实,犹如眼睛与世界”。这一语境下,本文深入20世纪的视觉文化与景观研究,重新审视阿尔珀斯上述讨论所面对的复杂处境,当“域外景观”沦为一种帝国风景,当效果本身能够制造隐喻,北方绘画的描绘性终究难以从一而终。 Unlike the narrative tradition of the Italian art,in the seventeenth-century Netherlands,painting brought a“display of craft”.In The Art of Describing:Dutch Art in the Seventeenth Century,Svetlana Alpers led a revolt within the European tradition,drawing attention to the“descriptive”of Dutch painting:the relation between the Dutch painting and the reality was similar to that between the eyes and the world.In the field of visual culture and landscape studies of the 20th cen-tury,the article took a new look on the complex context of Alpers’discussion,when the extraterritorial views became imperial landscapes,when the effects created metaphors,the northern tradition of describing would be hard to get recognized.

作者刘爽 Liu Shuang

机构地区中央美术学院

出处《艺术设计研究》 CSSCI 北大核心 2024年第2期123-128,共6页 Art & Design Research

关键词《描绘的艺术》 17世纪荷兰绘画地理图像静物画风景画 The Art of Describing Dutch Art in the 17th Century geographical images still life landscape

分类号 J05 [艺术—艺术理论]

作者简介刘爽,中央美术学院讲师博士。