摘要
最早记载于《诗经》的“卷阿”有着独特的“飘风自南”自然山水景观。在考辨“有卷者阿”历史源流的基础上分析其发轫、形成及“形胜”特征,认为“卷阿”形胜观历经“自然景观空间-建筑空间-精神空间”的发展过程,由物质空间升华到精神空间的文化意象。在皇权观念中,以高大广阔的建筑景观空间寓于“有卷者阿”形态,体现君王礼贤下士、君子纳才的宽广胸怀;对于贤臣来说,彰显其所追求修身治国之抱负和聿修厥德的情操。诠释“卷阿”山水格局并传承其文化内涵,构建蕴含人文精神的风景游赏地,形成物质与精神交融的山水景观空间,以达育人、化人的目的。
The earliest recorded in the Book of Songs,"Quan Wo"has a unique"wind from the south"natural landscape.On the basis of examining the historical origin of"Having the'Quan'means having the'Wo'",this article analyzed its origin and formation,and holds that"Quan Wo"has the characteristics of"xing(shape)sheng(advantageous terrain)".It is believed that the concept of"xing(shape)sheng(advantageous terrain)"of"Quan Wo"has gone through the development process of"natural landscape space-architectural spacespiritual space",and sublimated from material space to cultural image of spiritual space.In the concept of imperial power,the tall and broad architectural landscape space is placed in the form of"Having the'Quan'means having the'Wo'",reflecting the broad mind of the monarch and the gentleman;for virtuous ministers,it shows the scholar's style of pursuing Juede and nobleness.The paper interprets the landscape pattern of"Quan Wo"and inherits its cultural connotation,constructs a landscape sightseeing place containing humanistic spirit,and forms a landscape space integrating material and spirit,so as to achieve the purpose of educating people and transforming people.
作者
岳红记
唐赟
李艺静
YUE Hongji;TANG Yun;LI Yijing
出处
《中国园林》
CSCD
北大核心
2024年第3期132-137,共6页
Chinese Landscape Architecture
基金
陕西省社会科学基金项目“陕西北朝石刻书法的当代文化价值研究”(编号2021J041)
教育部哲学社会科学研究后期资助项目“民族融合视域下的北朝陕西石刻书法研究”(编号22JHQ049)共同资助。
关键词
风景园林
“卷阿”
“山水形胜”
文化内涵
landscape architecture
"Quan Wo"
"shan(mountain)shui(river)xing(shape)sheng(advantageous terrain)"
cultural connotation
作者简介
岳红记,1971年生/男/陕西商洛人/博士/长安大学建筑学院风景园林学科责任教授,环境艺术与环境美学出站博士后,硕士生导师/研究方向为风景园林历史与理论、西北地域文化遗产景观(西安710055);唐赟,1998年生/女/河南驻马店人/长安大学建筑学院在读硕士研究生/研究方向为风景园林历史与理论(西安710055);李艺静,2000年生/女/甘肃兰州人/长安大学建筑学院在读硕士研究生/研究方向为风景园林历史与理论(西安710055)。
