摘要
《黑猫》是美国小说家爱伦·坡恐怖小说的代表作之一。研究围绕统一效果论、互动式读者反映理论以及陌生化分析,从作者、文本、读者三个维度的交互关系,深入剖析《黑猫》所营造的恐怖氛围。爱伦·坡运用效果美学将灵感注入文字,令读者在阅读文本时心领神。
The Black Cat is one of the representative works of Gothic novels created by Edgar Allan Poe.Previous studies on The Black Cat mainly focused on the themes of the work and the writer’s use of imagery,and only very few researchers analyzed this work from the readers’perspective,but the dimensions of the analysis are relatively single.Through Multi-dimensional and multi-theoretical perspectives which include the Unity of Effect,Transactional Reader-response theory,and Defamiliarization,the horrible atmosphere created by The Black Cat was analyzed from the perspectives of the interaction relationship between the author,the book,and the reader.Therefore,this research had a thorough discussion of how Allan Poe applied his superb writing skills to construct a well-rounded horror atmosphere,how the reader could interact through reading the book,as well as how readers resonated with the writer.
作者
王梦昭
陈浩
Wang Mengzhao;Chen Hao(Faculty of Humanities and Social Sciences Beijing University of Technology,Beijing 100124,China)
出处
《北京化工大学学报（社会科学版）》
2024年第1期80-85,共6页
Journal of Beijing University of Chemical Technology(Social Sciences Edition)
关键词
《黑猫》
多维度
统一效果论
互动式读者反映理论
陌生化手法
The Black Cat
Multi-Dimensional Analysis
the Unity of Effect
Transactional Reader-response Theory
Defamiliarization
作者简介
王梦昭(1999-),女,北京工业大学文法学部硕士研究生;陈浩(1977-),女,北京工业大学文法学部副教授。
