摘要
新世纪以来,中国戏剧与影视学科取得了长足发展。这在国家投入、科研项目的数量和质量,以及教师队伍、人才培养的规模等方面均有体现。在学术研究主题上,戏剧与影视学研究持续聚焦创作生产、历史发展、产业运营、传播实践、教育教学等关键议题。但在回应国家重大战略需求、行业发展迫切需求以及建构完整的、具有中国特色的学科体系和国际影响力等方面仍有不足。在未来,戏剧与影视学研究需大力弘扬主体性、拓展融合性、完善体系性、发展创新性,才能将戏剧与影视学科建设得更好。
Since the beginning of the new century,Chinese Theatre and Film studies have experienced significant growth,evident in increased government funding,the quantity and quality of research projects,faculty,and talent training.Academic research in this discipline focuses on various issues,including artistic creation,historical development,industry operation,communication practice,and education.However,there are still areas that require improvement.For instance,addressing government strategic needs and industry development requirements,as well as establishing a comprehensive discipline system with distinct Chinese characteristics and international influence,need further attention.In the future,it is crucial to prioritize subjectivity,enhance integration,systematicity,and innovation to advance the discipline further.
作者
胡智锋
兰健华
Hu Zhifeng;Lan Jianhua
出处
《戏剧（中央戏剧学院学报）》
CSSCI
北大核心
2024年第1期1-13,共13页
Drama:The Journal of the Central Academy of Drama
基金
国家社会科学基金艺术学重大项目“创建人类文明新形态视域下的国家战略性影像创作与传播研究”(项目编号:23ZD06)的阶段性成果。
关键词
戏剧与影视学
学科发展
学术研究
综合评价
Theatre and Film Studies
discipline development
academic research
overall evaluation
作者简介
胡智锋,北京师范大学艺术与传媒学院教授;兰健华,北京电影学院视听传媒学院博士后。
