摘要
艺术作品作为思想的载体,在不同时期有不同的叙述方式。我国雕塑的早期的纪念碑性雕塑更多地承载着国家的历史记忆以及时代意义。至20世纪末,建造于城市公共空间中的大型雕塑逐渐走向材料的多元性、媒介的外延性以及更强的与公众对话的意味,一些城市雕塑因具备公共性、人民性、参与性等公共艺术属性而逐渐成为了公共艺术的一部分。公共艺术的概念尽管源自西方,但是在我国的艺术史发展逻辑上生发出了中国式的公共艺术脉络。
Art works,as carriers of ideas,have different narrative methods in different periods.The early monumental sculptures in China embody more of the country's historical memory and historical significance.Until the end of the 20th century,large-scale sculptures built in urban public spaces have eventually incorporated a diversity of materials,the extension of media,and a stronger sense of dialogue with the public.Some urban sculptures have gradually become a part of public art due to their public,peopleoriented,and participatory attributes.Although the concept of public art originated in the West,the development logic of Chinese style public art has emerged in China's art history.
出处
《公共艺术》
2023年第4期99-103,共5页
Public Art
关键词
雕塑
纪念碑性
城市雕塑
公
共艺术
sculpture
monumentality
urban sculpture
public art
作者简介
俞衫杉,中央美术学院博士研究生。
