摘要
《佩德罗·巴拉莫》旨在表现大革命时期,在佩德罗·巴拉莫这样的恶霸的统治下,墨西哥农村破落不堪、民不聊生的惨状。作品叙事手法独特,多个叙事者基于不同的视角进行叙事,时空交错,人物故事线交错。作品还充斥着各种声音。作者多借由对话、独白、呓语来建构故事。除此之外,作者还描摹了丰富的自然之声和物声。这些音景时而也会凸显为前景,推动情节的发展。此外,声音具有不聚焦和虚幻的特点,叙事者聆察的信息更繁杂,也留有想象的空间;而发自肺腑的声音又能更直接地表达人物内心最深处的情感。该文将基于听觉叙事相关理论,研究作品的声音,以期为相关研究提供参考。
Pedro Páramo aims to depict the tragic situation of rural Mexico during the Revolution,under the rule of bullies like Pedro Páramo,where rural areas were in a state of desolation and people were struggling to make a living.The narrative technique of the work is unique,with multiple narrators narrating from different perspectives,intertwining time and space,and intertwining character storylines.The work is also filled with various sounds,and the author often constructs the story through dialogues,monologues,and murmuring.In addition,the author also depicts rich natural and material sounds.These soundscapes sometimes highlight as foregraund,driving the development of the plot.In addition,sound has the characteristics of being unfocused and illusory,so the information observed by the narrator is more complex,leaving room for imagination.And the voice from the heart can more directly express the deepest emotions in the character's heart.This article will study the sound of works based on acoustic narrative theory,providing reference for related research.
作者
吴兰
WU Lan(School of Foreign Languages,Xianda College of Economics and Humanities,Shanghai International Studies University,Shanghai,200083,China)
出处
《文化创新比较研究》
2024年第2期17-20,共4页
Comparative Study of Cultural Innovation
作者简介
吴兰(1987,4-),女,上海人,硕士,讲师,研究方向:西语文学。
