摘要
《律音汇考》是湘籍琴家邱之稑于清道光年间编撰的一部以复兴古乐为宗旨的谱本文献,其中以清朝官撰乐律著作《御制律吕正义》所载“康熙十四律”为其理论指导。邱氏在《律音汇考》卷三所载各乐器上所应律吕中衍生出了“体”与“用”这对哲学范畴,“体”为“康熙十四律”理论框架下阴阳二均的律吕相生关系,“用”为宫商等声名,以此来说明各律吕间的真实音程关系。邱氏引用“体”与“用”这一哲学理念,正是凸显出其对官撰乐律理论体系的遵守,但也说明了当时的音乐实践。
Lu Yin Hui Kao is a genealogical work compiled by the Hunan guqin master Qiu Zhilu during the reign of Emperor Daoguang of the Qing Dynasty,with the aim of reviving ancient music.It is guided by the"Kangxi Fourteen Temperaments"in the Qing Dynasty's official musical work Yu Zhi Lu Lu Zheng Yi.Qiu Zhilu derived a pair of philosophical categories of"body"and"usage"from the corresponding rules and regulations on various musical instruments in Volume 3 of the Lu Yin Hui Kao"."Body"is the relationship between the laws and regulations of Yin and Yang under the theoretical framework of the"Kangxi Fourteen Temperaments";Usage"as a name for Gong Shang and others,to illustrate the true interval relationship between various musical instruments.Qiu's citation of the philosophical concepts of"body"and"usage"highlights his adherence to the theoretical system of official music temperaments,but also illustrates the true practice of music.
出处
《南京艺术学院学报（音乐与表演版）》
北大核心
2023年第5期30-36,I0002,共8页
Journal of Nanjing Arts Institute:Music & Performance
关键词
《律音汇考》
康熙十四律
乐器
体用说
Lu Yin Hui Kao
The Kangxi Fourteen Temperaments
musical instruments
body function theory
作者简介
谢鹏飞,广东省兴宁市人,中国艺术研究院2022级博士研究生,研究方向:中国古代音乐史、乐律学。
