摘要
青铜乐钟是周代的代表性乐器,与周代雅乐的形成密切相关。西周甬钟作为周代雅乐的主奏乐器,与新石器时代的文明遗迹有着明确的传承关系,融合了黄河、长江两条大河流域的文明成果。在西周甬钟发展演进过程中呈现出来的时空框架、区域差异、文明演进道路差异等表现和动因,对研究周代雅乐的发展与中国古代艺术精神的形成具有基础性、启示性的作用。青铜乐钟与周代雅乐的发展充分体现了中华文明尊重传统的连续性、善于融合的创新性、不断进步的卓越性这些突出特征。
Bronze chime-bells is a representative musical instrument of Zhou Dynasty,which is closely related to the formation of court music in Zhou Dynasty.As the main bronze musical instruments of court music in the Zhou Dynasty,Yongzhong in the Western Zhou Dynasty have a clear inheritance relationship with the ruins of civilization in Neolithic Age,and integrate the civilized achievements of the Yellow River and the Yangtze River.In the development and evolution of Yongzhong in the Western Zhou Dynasty,the representation and motivation presented in the aspects of spatial-temporal framework,regional differences,and differences in the path of civilization evolution have a basic and revelatory role in the study of the development of court music in the Zhou Dynasty and the formation of the ancient Chinese artistic spirit.The development of the bronze bell and court music in the Zhou Dynasty fully embodies the outstanding characteristics of the Chinese civilization,such as the continuity of respecting tradition,innovativeness of being good at integration,and the excellence of continuous progress.
出处
《北方论丛》
2023年第5期43-51,共9页
The Northern Forum
基金
国家社会科学基金重大项目“古典学与中国早期文学的历史格局研究”(20&ZD263)。
关键词
青铜乐钟
周代雅乐
一钟双音
西周甬钟
bronze chime-bells
court music in Zhou Dynasty
one bell with two sounds
作者简介
赵玉敏,中国社会科学院大学副教授,文学博士(北京102401)。
