摘要
河南信阳长台关城阳城战国楚墓出土的包括鼎、簋、盒、壶、鬲、敦等数量庞大的陶器表明,基于战国时期混乱动荡、礼崩乐坏的时代背景,和同一时期楚地漆木器高度繁荣的艺术语态中,长台关城阳城战国楚墓出土陶器在组合形式、制作工艺、装饰语言等方面呈现多元化的造物特征;工匠创新性地在陶器表面使用漆材进行装饰,并在纹饰构型上与漆木器纹饰交融互鉴,器物兼具陶器的“朴拙”和漆木器的“秀雅”,重构了彩绘陶的审美范式,塑造了独属于这个时期陶器的新风貌。
A large number of pottery vessels,including tripod,pot,he,gui and tun were unearthed from the Chu-state tomb at Chengyang,Changtaiguan,Xinyang,Henan Province.The related social background was a chaotic and turbulent time with declining rites and rituals.The prosperous Chu lacquered wood wares,and the unearthed pottery showed diversified features in styles,craftsmanship and decorations.Artisans applied lacquer to decorate pottery surface,the combination of which was an innovation.The wares were endowed with both the“simplicity”of pottery and the“elegance”of lacquered wood wares.They redefined the aesthetic paradigm of painted pottery,while shaping the new pottery style unique to this period.
出处
《中原文物》
CSSCI
北大核心
2023年第4期98-101,共4页
Cultural Relics of Central China
基金
2022年度国家艺术基金青年艺术创作人才项目“大别山礼赞系列陶艺创作”2022-A-06-(129-598)的阶段性成果。
关键词
战国楚墓陶器
造物
兼容并蓄
Pottery from burial of the Chu state
Creation
Inclusive
