摘要
彝族左脚调在长期的发展过程中已成为多民族民众精神外显的符号和情感体验的途径。人们在一定时空条件下参与的左脚歌舞活动中所形塑的音声行为是动态发展的,呈现出多样态的符号意义。左脚调的产生和发展与特定的社会生活、人文语境相互关联,通过行为主体将这种音乐文化的特有反映和独有创造呈现为日常生活化的、仪式中的和为展演的三种存在样态。聚焦左脚调的三种存在样态的“观察—体验”,是对“音乐—时空—人—文化意义”之间的关系的研究,有助于整体性地理解民族音乐的艺术特征与意义、民族文化的核心内容和精神以及民众的日常生活与社会存在等问题。
In the long-term development process,the left-foot tune of Yi people has become a spiritual symbol and a way of emotional experience shared by multi-ethnic peoples.The sound behavior shaped by people's participation in left-foot singing and dancing activities under certain time and space conditions is dynamic,presenting diverse symbolic meanings.The emergence and development of the left-foot tune are interrelated with specific social life and cultural contexts.Through the actors,the unique reflection and creation of the music culture are presented as three forms of existence:daily life,ritual,and performance.The“observation and experience”focusing on the three modes of the left-foot tune is a study of the relationship between“music,time and space,people and cultural significance”,which is conducive to a holistic understanding of the artistic characteristics and significance of folk music,the core content and spirit of ethnic culture,and the daily life and social existence of people.
作者
杨英
Yang Ying(the Yunnan Research Institute of Ethnic Arts,Kunming,Yunnan,650031;the Schol of Ethiy and Sociology,Yunman University)
出处
《民族艺术研究》
CSSCI
2023年第4期132-143,共12页
Ethnic Art Studies
关键词
民族音乐
样态
艺术特征
左脚调
folk music
modes
artistic characteristics
left-foot tune
作者简介
杨英,云南省民族艺术研究院助理研究员,云南大学民族学与社会学学院博士。
