摘要
该课题在前人研究的基础上,以国家级“非遗”项目羌族刺绣为调研对象,对申报地四川汶川羌族聚居地进行田野考察,试图探寻中国传统和合文化与羌绣服饰纹样之间的契合点。从和合文化的视角出发,对羌绣服饰纹样多元文化的题材、对称平衡的构图、技艺兼容的针法、逞娇呈美的色彩和象外之象的意蕴进行美学探究,继而拓展到在民族大团结背景下羌绣服饰纹样所蕴含的和合文化内涵,提出其在增强民族团结凝聚力、羌文化活态传承的现实意义。期望通过该研究,为羌族刺绣服饰纹样传承与发展提供新路径。
Based on previous research,the national"intangible cultural heritage"project of Qiang ethnic embroidery was taken as the research object.A field investigation was conducted on the Qiang ethnic settlement in Wenchuan,Sichuan,where the application is made,to find that sweet spot right in the middle of the harmonious culture and the Qiang embroidery clothing patterns.From the harmonious culture,the aesthetic features of Qiang embroidery clothing patterns are explored,such as the diversified subjects,the symmetrical and balanced composition,the technical and artistic stitching,the brilliant colours,and the rich cultural connotation.Then the cultural connotation of the harmonious culture of the Qiang embroidery clothing patterns is explored,the practical significance of Qiang embroidery clothing patterns in enhancing national unity and cohesion and inheriting Qiang culture are proposed under the background of national unity.It is expected that the study can provide a new path for the inheritance and development of Qiang embroidery clothing patterns.
作者
罗航
LUO Hang(Chengdu University,Chengdu 610106,China)
出处
《西部皮革》
2023年第16期124-126,共3页
West Leather
关键词
羌绣
和合文化
服饰纹样
非物质文化遗产
Qiang embroidery
harmonious culture
clothing patterns
intangible cultural heritage
作者简介
罗航(1998.12-),男,汉族,四川成都人,成都大学,在读硕士研究生,研究方向为艺术管理,1187464041@qq.com。
