摘要
担当是明末清初中国山水画史上具有划时代意义的禅僧艺术家,他在诗、书、画、禅修诸方面都有较高的成就,其中以山水画成就最高。担当的山水画及艺术思想在复古主义盛行的明清时期,可称得上是富有创新意识和极具创造性的。由于历史和地域文化的原因,一直以来担当的艺术成就没能得到应有的关注,关于担当的山水画艺术思想研究成果也较少。因此,担当的山水画艺术思想在美术史上的地位并没有得到客观体现,而从其艺术思想作较为深入的研究,有利于古为今用、借古开今。
Dan Dang was an epoch-making Zen monk in the history of Chinese landscape painting in the late Ming and early Qing dynasties,with high achievements in poetry,calligraphy,painting and meditation,among which his achievements in landscape painting are the highest.His artistic thought on landscape painting was innovative and creative during the Ming and Qing dynasties,when retrogressive artistic thought was prevalent.For historical and regional cultural reasons,the artistic achievements of the artist have not received the attention they deserve,and there have been few studies on his artistic thought on landscape painting.As a result,the status of his artistic ideas in art history has not been objectively reflected.In this paper,a more in-depth study of the artistic thought of landscape painting will be undertaken.The purpose of this paper is to achieve the goal of “using the past for the present” and “borrowing from the past to open up the present”.This paper will make a contribution to the theoretical study of cultural confidence in the new era.
作者
张志军
ZHANG Zhijun(School of Fine Arts,Yuxi Normal University,Yuxi,Yunnan 653100)
出处
《玉溪师范学院学报》
2023年第4期79-87,共9页
Journal of Yuxi Normal University
作者简介
张志军,副教授,研究方向:中国山水画。
