摘要
艺术乡建作为社会参与式艺术在中国乡村的重要表征,体现了当代艺术的社会转向和时代担当,是我国百年乡建思想遗产和欧美、日本以及中国台湾社会参与式艺术思潮的互融结果。艺术人类学从整体性视角对艺术乡建进行观照,分析了艺术家与人类学家在乡建中耦合的重要原因在于中国文化基因、中国乡土的生产方式与生活方式,探讨了中国艺术乡建在文化空间生产、家园共同体建设与心态秩序、具有中国特色的审美与身体体验以及在地性等方面的理论,展现了多元主体的整体发展特点,具有东方审美哲学意蕴。艺术乡建中关于中国手工艺的复兴和乡村的复兴实际上是中国文化样式和中国审美哲学的回归,构建了一种新型审美体验,预示着中国社会向后农业文明转向。
As an important symbol of socially engaged art,artistic development in rural areas of China embodies social changes and responsibilities of contemporary art in the era and is a fruit of integrating theories of rural development in China in the past century and the trend of socially engaged art in Europe,the United States,Japan and Chinese Taiwan.Anthropology of art observes artistic development in rural areas from a holistic perspective,analyzes that the important reasons for artists and anthropologists to cooperate in this field are cultural genes and ways of life and production in rural areas of China,discusses theories regarding the production of cultural space,the building of a home community and mental order,aesthetic and physical experience with Chinese characteristics,as well as in-site,and demonstrates the overall development of multiple subjects,which is in line with oriental aesthetic philosophy.The revival of handicraft and rural areas in artistic development actually represents the return of Chinese cultural style and aesthetic philosophy,bringing new aesthetic experience and indicating the turn of Chinese society to post-agricultural civilization.
作者
方李莉
范晓颖
Fang Lili;Fan Xiaoying(the School of Art,Southeast University;the Chinese Nation Visual Image Research Base,Southeast University)
出处
《美术》
CSSCI
北大核心
2023年第7期6-19,共14页
Art Magazine
基金
国家社会科学基金艺术学重大项目《中国艺术人类学的理论与实践》(21ZD10)的阶段性研究成果。
关键词
艺术乡建
家园共同体
审美体验
多主体互动
乡村建设
artistic development in rural areas
a home community
aesthetic experience
multi-subject interaction
rural development
作者简介
方李莉,东南大学艺术学院特聘首席教授,东南大学中华民族视觉形象研究基地副主任、首席专家;范晓颖,东南大学艺术学院博士生。
