摘要
传统数字实践建构的是一种脱离肉身和在场的身心分离的虚拟体验。以普适算法为代表的第三次计算浪潮带来了算法转向和位置转向,由此产生了继虚拟艺术之后的新兴数字公共艺术实践——定位艺术。定位艺术指基于普适计算,运用定位媒介以及GPS(全球定位系统)、RFID(无线射频识别)、Wi-Fi(无线保真度)等定位、感应及通信技术与设备所开展的多元艺术实践,它具有移动情境、混合时空、万物互联和具身表演等特征。定位艺术以代码、普适界面和作为行动者的物为基本结构要素,主要包括定位叙事、定位映射和定位游戏三种类型。在定位艺术中,参与者通过聆听、注释、映射、呈现以及增强的交互等具身表演,生成关于地方、事件和关系的多元情动体验,由此体现出基于万物参与、新颖生成和增强关系的涌现美。作为虚拟艺术的物质性回归,定位艺术通过技术与艺术、虚拟与物质、理性与情感的双重在场,成功链接了技术理性和诗意情感,代表着人类技术化栖居环境下艺术的未来发展走向。
Traditional digital practice produces a kind of virtual experience that is separated from the physical body and physical presence,thus is featured by a mind-body split.The third wave of computing represented by ubiquitous computing brings about the algorithmic turn and the locative turn,which gives rise to locative art as a new form of digital public art practice following the virtual art.Based on ubiquitous computing and resorting to locative media,GPS(Global locative System),RFID(Radio Frequency Identification),Wi-Fi(Wireless Fidelity,that is,wireless network protocol)and other locative,sensing and communicative technologies and devices,locative art refers to the diversified art practices that are characterized by mobile situation,mixed time and space,interconnected everything and embodied performance.With code,ubiquitous interfaces and the network of things as its basic structural elements,locative art practices fall into three main categories,namely,location narrative,location mapping and location game.In experiencing the locative art,participants generate multiple kinds of affects concerning places,events and relationships through embodied performances,such as listening,annotating,mapping,presenting and enhanced interacting.During this process,a beauty of emergence is arising as a result of the participation of everything,novel generation and enhanced relationship.As a material return of virtual art,locative art successfully links the technical rationality and the poetic affection through the co-presence of technology and art,virtuality and materiality,rationality and affection.As such,locative art represents the future development of art in the current increasingly technicalized habitat of human beings,and thus deserves further attention,exploration and practice from the domestic art circles as well as the academic circles.
作者
张忠梅
ZHANG Zhongmei(School of International Studies,Southwest University,Chongqing,China,400715)
出处
《西南大学学报（社会科学版）》
CSSCI
北大核心
2023年第4期229-243,共15页
Journal of Southwest University(Social Sciences Edition)
基金
教育部人文社会科学研究青年基金项目“《吴宓留美笔记》手稿整理与研究”(20YJC751045),项目负责人:占如默。
关键词
定位艺术
普适计算
虚拟艺术
数字公共艺术
涌现美
locative art
ubiquitous computing
virtuality and materiality
digital public art
beauty of emergence
作者简介
张忠梅,西南大学外国语学院,讲师。
