摘要
随着互联网技术与人工智能技术的革命性发展,其对社会各个领域所产生的颠覆性影响也日渐显著。艺术的发展离不开技术革命的推动,公共艺术作为一种面向公众的艺术形式,在智能技术时代的背景下,如何以开放性的姿态有效地寻找设计创新的切入点,公共艺术学科建设与实践如何应对技术发展的挑战,均是当下需要探索与解答的问题。本文从历史与当下的双重语境进行探讨,并以无锡太湖广场项目更新设计为例,从智能技术介入,媒材的实验与探索和公共艺术的人文关怀等方面探讨了公共艺术创新设计的未来方向与可能性。
With the revolutionary development of internet technology and artificial intelligence technology,its subversive influence on various fields of society is also increasingly significant.The development of art is often inseparable from the promotion of technological revolution.As a form of art for the public,how to effectively find the entry point of design innovation with an open attitude under the background of the current era of intelligent technology,and how to deal with the challenges of technological development in the construction and practice of public art discipline.Starting with the case of the renewal design of Taihu Square project in Wuxi,this paper discusses the future direction and possibility of innovative design of public art from the aspects of intelligent technology intervention,experiment and exploration of media materials and humanistic care of public art in the double contexts of history and present.
出处
《创意与设计》
2023年第2期46-53,共8页
Creation and Design
关键词
智能技术
包豪斯
双重语境
交互性
公共艺术
创新设计
intelligent technology
Bauhaus
double contexts
interactivity
public art
innovative design
作者简介
唐宏轩,江南大学设计学院副教授。研究方向:公共艺术创新设计,玻璃艺术。
