摘要
人工智能技术作为一种新型的绘画媒介,所充当的角色是工具、材料、方法,其绘画作品的艺术审美依然由人类把控,它的价值则是体现在技术的突破。目前,人工智能在绘画上的表现已经足够优异,却依然存在一些局限性,主要表现在人工智能生成的美术作品不是对现实世界的真实反映,其拼接、复制的创作方法打破了传统美术的“原作的即时即地性”使艺术作品丧失了“原真性”,它的创作过程也不具备人类画家独特的想象力。但这些局限性并没有阻碍人工智能在绘画上的发展,反而会打破展艺术的边界,影响艺术的发展。
As a new type of painting medium,artificial intelligence technology plays the role of tools,materials and methods,and the artistic aesthetics of its paintings are still controlled by humans,while its value is reflected in the breakthrough of technology.At present,the performance of artificial intelligence in painting has been excellent enough,but there are still some limitations,mainly in the fact that the art works generated by artificial intelligence are not a true reflection of the real world,and its splicing and copying creation method breaks the traditional art“instantaneous immediacy of the original work”so that the art works lose their“authenticity”.Its creation process does not have the unique imagination of human painters.However,these limitations do not hinder the development of artificial intelligence in painting,but will break the boundaries of exhibition art and influence the development of art.
作者
邓静
DENG Jing(Qi Baishi Art Institute,Hunan University of Science and Technology,Xiangtan 411201,China)
出处
《鞋类工艺与设计》
2023年第10期54-56,共3页
SHOES TECHNOLOGY AND DESIGN
关键词
人工智能
艺术媒介
美术发展
artificial intelligence
art development
art media
作者简介
邓静(1988-),女,研究生在读,研究方向:美术创作研究,keni3241@sina.com。
