摘要
工笔重彩画是中国最早发展成熟的画种,它作为中国民族绘画的重要组成部分,在美术发展史上有无与伦比的魅力。在重彩画的学习中,画家为挖掘出色彩更多的可能性,对色彩的语言特征十分关注,并配合运用不同的技法形成鲜明的个人风格。本文以画家贾宝锋为例,从工笔重彩画中民族题材的角度出发,探析其作品中色彩的多样性呈现及与“色”紧密结合的“质”的表现。
Fine brushwork painting in heavy color is the earliest developed and mature painting in China,as an important part of Chinese national painting,it has unique charm in the history of art development.In the study of heavy color painting,in order to explore more possibilities of color,painters pay great attention to the language features of color,and use different techniques to form a distinct personal style.Taking Jia Baofeng as an example,this paper analyzes the diversity of colors in his works and the expression of"texture"closely combined with"color"from the perspective of national themes in meticulous heavy-color paintings.
作者
汪晔
Wang Ye(Shanghai University)
出处
《流行色》
2023年第4期107-109,共3页
Fashion Color
关键词
工笔重彩
民族题材
色与质
贾宝锋
Fine brushwork painting in heavy color
national theme
color and material
Jia Baofeng
作者简介
汪晔(1998.07),女,汉,安徽蚌埠人,硕士研究生,上海大学,研究方向:当代美术创作研究(中国画)。
