摘要
“虚静”作为中国美学史上一个颇具特色的“审美范畴”,其在园林中所带来的情境体验令人目酣神醉。“虚静”有“心性虚静”之意,追求的是“宁静致远”的修心之境。中国古典园林围绕“虚静”意境所展开的相关设计理念,深刻反映了中国人自身所具有的独特审美心境。从崇尚“天人合一”的和谐之美到追求“静动相融”的灵动之美;从寻求“山水比德”的澄明之美到开创“物我交融”的意境之美;从侧重“有无相生”的恬静之美到体会“虚静互现”的立体之美。中国古典园林所崇尚的“虚静之美”具有广泛的应用“景域”。
As a characteristic“aesthetic category”in the history of Chinese aesthetics,[KG-*4]“emptiness and quiet”brings a fascinating experience in the landscape.In traditional Chinese culture,“emptiness and silence”sometimes means a kind of life attitude.“Empty and quiet”has the meaning of“empty and quiet mind”,and pursues the state of mind cultivation of“tranquility and distance”.The relevant design concepts of Chinese classical gardens around the“empty and quiet”artistic conception deeply reflect the unique aesthetic mood of Chinese people themselves.From advocating the harmonious beauty of“harmony between human and nature”to pursuing the spiritual beauty of“harmony between static and dynamic”.From seeking the clear beauty of“comparing mountains and rivers with virtue”to creating the beauty of artistic conception of“blending things with me”.From focusing on the quiet beauty of“living with and without”to experiencing the three-dimensional beauty of“emptiness and tranquility”.The“beauty of emptiness and tranquility”advocated by Chinese classical gardens has a wide application of“landscape”.
作者
饶娜
RAO Na(College of Landscape Architecture and Art,Jiangxi Agricultural University,Nanchang 330045,China)
出处
《宜春学院学报》
2023年第3期96-101,共6页
Journal of Yichun University
关键词
园林
虚静之美
应用景域
garden
beauty of emptiness and quietness
application field
作者简介
饶娜(1997-),女,江西抚州人,硕士研究生,研究方向为园林设计与大地景观规划。
