摘要
就琴史而言,元代後期至明代前期最重要的傳承是“浙操徐門”和“江操劉門”兩支。而尤其“劉門”,資料散碎,極難釐清。本文依托錢福和顧清的兩篇文章建立脈絡,考察劉世賢—劉伯容、劉仲禮—劉克誠—劉鴻、劉參—劉溥、劉淵—劉文瑞六代人,從元初到明嘉靖三百多年間的流徙經歷。將已知史料一一予以時空定位,最大限度還原歷史境況。而就《步虚仙琴譜》编者顧挹江係顧清嫡長孫這一情實,本文考其生平,推斷琴藝應承自劉氏家族,因而該譜實乃“江操劉門”唯一存世琴譜。
In the history of the art of guqin(Chinese seven-stringed zither),"Zhecao Xumen"(浙操徐門),the House of Xu with Zhe cao,and"Jiangcao Liumen"(江操劉門),the House of Liu with Jiang cao,were the two most notable heirs between late Yuan and early Ming Dynasties.As for the latter,the House of Liu,the relevant extant data are scattered and fragmentary,which brings extreme difficulty in data combing and clarification.Based on two articles credited to Qian Fu and Gu Qing,the present paper looks into six generations of the House of Liu:Liu Shixian,Liu Borong and Liu Zhongli,Liu Kecheng,Liu Hong and Liu Shen,Liu Pu and Liu Yuan,and Liu Wenrui(the names are listed in chronological order).Their migrating and drifting about across three centuries from the early Yuan Dynasty to the JiajingPeriod of the Ming Dynasty is then chronicled.The historical situation shall be restored to the maximum by pinpointing the time and space for each piece of known historical material.Considering the fact that Gu Yijiang,the editor of Buxuxian Qinpu(步虚仙琴譜),was the eldest legitimate grandson of Gu Qing,a deeper investigation into his life is carried out in this paper,and it is accordingly inferred that he inherited the art of guqin from the House of Liu.Therefore,Buxuxian Qinpu should be the only surviving guqin handbook ascribed to"Jiangcao Liumen".
出处
《中华文史论丛》
CSSCI
2023年第1期197-249,405,共54页
Journal of Chinese Literature and History
作者简介
王風,北京大學中文系長聘副教授、北京大學現代中國人文研究所副所長。
