摘要
克莱尔·吉根的短篇小说存在很多人物、故事情节和主题意象的反复呈现。借助互文性理论,发现吉根的小说存在三种互文叙述模式:一是聚焦于女性的孤独和人际关系困境的自涉互文书写;二是爱尔兰乡村故事里基于宗教虔诚情感基调的历时性互文书写;三是充分调动色彩与声音等感官叙述的跨界互文书写。正是其小说运用多重互文的书写策略,吉根创造出一个具有爱尔兰乡村传统的现代生活世界,凝聚对当代女性的孤独个体与婚姻家庭双重困境的哲学性展示,并尝试得出自己独特的思考结论。
There are many repeated presentations of characters, plots and theme images in Claire Keegan’s works. Based on the theory of intertextuality, this article discovers three intertextual narrative modes in Keegan’s stories: one is self-referential intertextual writing that focuses on the loneliness of women and their living dilemma of getting along with others;the second is the diachronic intertextual writing based on religious emotional Tone in Irish rural stories;the last mode is the cross-border intertextual writing that fully mobilizes the sensory narrative of color and sound. Keegan uses multiple intertextual writings to construct a modern life world with Irish rural traditions, condenses a philosophical display of contemporary women’s lonely individuals and the dual dilemma of marriage and family, and tries to come to her own unique thinking conclusions.
作者
易永谊
罗甜甜
YI Yongyi;LUO Tiantian(School of Humanities,Wenzhou University,Wenzhou 325035,China)
出处
《上海理工大学学报（社会科学版）》
2023年第1期45-51,共7页
Journal of University of Shanghai for Science and Technology：Social Sciences Edition
基金
2019年国家社科基金规划项目(19BWW018)
温州大学2020年研究生创新基金资助项目(316202002020)。
作者简介
易永谊,男,副教授。研究方向:英国文学、中外文学关系。E-mail:yiyongyi78@126.com。
