摘要
敦煌石窟毗那夜迦是非常重要的图像,融合了中原文化、佛教文化和印度教文化,具有十分重要的研究价值。鉴于目前学术界对中外文化交融历史研究的推进,有必要挖掘敦煌石窟毗那夜迦背后的文化意义和艺术价值。近些年,相对石窟中的其他图像研究,毗那夜迦的研究较为薄弱,只有一些零星的研究成果,为了进一步推动相关研究的深入,通过对毗那夜迦基础资料的整理研究、毗那夜迦形象辨析研究和敦煌毗那夜迦的身份研究三个方面展开相关的学术回顾和展望,为今后敦煌石窟毗那夜迦的研究提供一个有价值的参考坐标。
Vināyaka of the Dunhuang Grottoes is a very important image, combines the culture of the Central Plains, Buddhism and Hinduism, and has very important research value. In view of the current progress of the academic community in the study of the history of the integration of Chinese and foreign cultures, it is necessary to explore the cultural significance and artistic value behind Vināyaka of the Dunhuang Grottoes. In recent years, compared with other image studies in the grottoes, the study of Vināyaka is relatively weak, with only a few sporadic research results. In order to further promote the deepening of relevant research, the paper carries out relevant academic review and outlook from three aspects: the collation and study of the basic data of Vināyaka, the analysis of the image of Vināyaka, and the study of the identity of Dunhuang Vināyaka.It will provide a valuable reference coordinate for the future study of Vināyaka of the Dunhuang Grottoes.
出处
《浙江艺术职业学院学报》
2022年第4期106-112,共7页
Journal of Zhejiang Vocational Academy of Art
基金
甘肃省教育厅优秀研究生“创新之星”项目(项目编号:2021CXZX-308)
教育部人文社会科学研究西部和边疆地区项目“敦煌讲唱文学与佛典的世俗化”(项目批准号:15XJA73001)阶段性研究成果。
关键词
敦煌
毗那夜迦
象头神
Dunhuang
Vināyaka
elephant-headed god
作者简介
张家毓(1994-),女,甘肃兰州人,西北师范大学硕士,主要从事敦煌学研究。(兰州730000)。
