摘要
近代以来,“历史剧”概念从滥觞到广泛使用,一直处于争议的漩涡,甚至到了21世纪,这个已经有了百年历史的艺术概念仍会不时引起一些讨论与争鸣。这一方面说明“历史剧”概念本身所具有的顽强生命力,另一方面则显示对它的认知依旧不够完整和准确。在当下文化语境中,“历史剧”概念更多地存在于戏剧史与戏剧理论的研究领域,而在更广泛的戏剧创作、戏剧评论中却处于被边缘化,甚至被弃用、被解构的状态,这既是一种概念缺位,也是实体上的危机。
Since modern times,the concept of"historical drama"has been in a controversial whirlpool from its origin to its widespread use.Even in the 21 st century,this hundred-year-old artistic concept still causes some discussion and contention from time to time.On the one hand,it shows the tenacious vitality of the concept of"historical drama",on the other hand,it shows that the cognition of it is still not complete and accurate.In the current cultural context,the concept of"historical drama"exists more in the research field of drama history and drama theory,but it is marginalized in the wider drama creation and drama criticism,even the state of being deprecated and deconstructed is both a conceptual vacancy and a physical crisis.
出处
《滁州学院学报》
2022年第6期54-59,71,共7页
Journal of Chuzhou University
关键词
历史剧
概念建构
科学定义
近代学术
当下语境
historical drama
concept construction
scientific definition
modern academic
current context
作者简介
吕靖波,江苏师范大学文学院教授,博士,研究方向:戏曲史与明清文学(江苏徐州221116)。
