摘要
经历了百余年的发展,尤其是进入社会主义新时代以来,中国设计逐渐走出了一条既不同于欧美,也不同于亚洲其他国家的独特的中国式现代化发展之路,产生了重要的当代价值。那么,中国式现代化的设计艺术特色是如何形成的?学术界应该用怎样的理论体系去开展新时代中国特色设计艺术理论体系建构,并且及时地对中国式现代化背景下的设计艺术研究成就进行理论总结?本文所提出的中国设计主体性理论就旨在回应这一系列时代问题,在总结历史经验的基础上尝试开展中国特色设计艺术主体性话语体系的建构。
After more than a hundred years of development,especially since entering the new era of socialism,Chinese design has gradually stepped out of a unique Chinese path to modernization development road that is different from Europe and the United States,as well as other Asian countries,and has produced important contemporary value.So,how did the design art characteristics of Chinese path to modernization come into being?What kind of theoretical system should the academic community use to carry out the construction of the theoretical system of design art with Chinese characteristics in the new era,and make a theoretical summary of the research achievements of design art in the context of Chinese path to modernization in a timely manner?The theory of Chinese design subjectivity proposed in this paper aims to respond to this series of problems of the times,and try to construct a discourse system of Chinese characteristics design art with subjectivity on the basis of summing up historical experience.
出处
《创意与设计》
2022年第6期24-32,共9页
Creation and Design
关键词
中国设计
主体性
话语体系
理论建构
中国式现代化
Chinese design
subjectivity
discourse system
theoretical construction
Chinese path to modernization
作者简介
贡雨婕,北京大学新闻与传播学院博士研究生。研究方向:视觉传播与视觉文化;祝帅,北京大学图书馆副馆长,北京大学艺术学院研究员,博士生导师。研究方向:美术与书法,设计学。
