摘要
“艺术乡建”的目的,是通过艺术手段参与乡村振兴,进行“文化赋能”,其本质是对当代乡村的文化精神、情感需求、乡俗秩序等,进行综合性的系统化治理。因此,必须从乡村的自身逻辑出发,以乡村传统文化资源为本位,固本造意,营造适应中国乡村文化特色的“场所精神”,构建乡村内部自我认同的文化内循环系统,以实现唤醒和激发乡民的主体意识、整合在地性优势资源、复构乡村文化生态发展模式、推进新时期乡村社会可持续发展的目标。
The purpose of “art village construction” is to participate in rural revitalization and “cultural empowerment” through artistic means. The essence of art village construction is a comprehensive and systematic management of the cultural spirit, emotional needs and local customs order of contemporary countryside. Therefore, it is necessary to start from the logic of countryside itself and take rural traditional cultural resources as the basis, and to consolidate the foundation, so as to create the “genius loci” adapted to the characteristics of Chinese rural culture. The next step is to construct the inner culture circulation system of rural identity in order to awaken and stimulate the subject consciousness of the villagers. Later it is possible to integrate local superior resources and reconstruct the development mode of rural cultural ecology and to promote the goal of sustainable development of rural society in the New Era.
作者
张犇
Zhang Ben(school of Fine Arts,Nanjing Normal University,Nan Jing,Jiang Su,210034)
出处
《民族艺术研究》
CSSCI
2022年第6期118-123,共6页
Ethnic Art Studies
基金
2019年度江苏省第5期“333高层次人才培养工程科研资助项目”“江苏段运河、淮河沿线民间工艺美术风格比较与传承、创新研究”(项目批准号:BRA2019075)的阶段性研究成果
国家社科重大项目“中华工匠文化体系及其传承创新研究”(项目批准号:16ZDA105)的阶段性研究成果。
关键词
艺术乡建
本质
要义
乡村文化生态
art village construction
essence
the main idea
rural cultural ecology
作者简介
张犇,南京师范大学美术学院教授。江苏南京210034。
