摘要
伴随国家重大活动而开展的文艺演出往往会展现出一个国家的形象和精神风貌。文章以自中国共产党的十八大以来三个具有典型性的国家大型文艺演出为实例,包括庆祝中华人民共和国成立70周年、庆祝中国共产党成立一百周年、2022北京冬奥会开幕式,从新视觉形象与审美的建构、集体精神的延续与身份认同、艺术与科技的深度融合这三方面,探寻新时代大型文艺活动的共同特征及其如何彰显了新时代新中国的形象和精神风貌,为当下大型活动文艺演出的创排提供参考。
Artistic performances accompanying major national activities often show the image and spirit of a country.The paper takes three typical artistic performances of large-scale national events since the 18 th CPC National Congress as examples,including celebrating the 70 th anniversary of the founding of the People’s Republic of China,the 100 th anniversary of the founding of the Communist Party of China,and the opening ceremony of the 24 th Beijing Winter Olympics.From the three aspects of the construction of new visual image and aesthetics,the continuation and identity of collective consciousness,and the deep integration of art and technology,this paper explores the common characteristics of artistic performances in the context of large-scale activities in the new era,analyzes how it highlights the national image and spirit in the new era,so as to provide reference for the creation and choreography of contemporary large-scale artistic performances.
作者
杨嵘
付一然
YANG Rong;FU Yi-ran(Beijing University of Technology,Beijing 100124;Beijing Dance Academy,Beijing 100081,China)
出处
《北京舞蹈学院学报》
CSSCI
北大核心
2022年第4期97-101,共5页
Journal of Beijing Dance Academy
关键词
大型文艺演出
新时代国家形象
国庆70周年
建党百年
北京冬奥会开幕式表演
large-scale cultural activities
national image in the new era
the 70th anniversary of the founding of the People’s Republic of China
the 100th anniversary of the founding of the Communist Party of China
opening ceremony of Beijing Winter Olympics
作者简介
杨嵘(1971-),男,本科,北京工业大学素质教育学院副教授,主要研究领域:校园舞蹈;付一然(1997-),女,北京舞蹈学院硕士研究生,主要研究方向:舞蹈理论与批评。
