摘要
抗战时期,中国共产党针对解放区美术家创作与宣传脱节等问题,通过延安文艺座谈会、文艺下乡运动等方式,逐步使美术家们在思想教育、政策实施、传播导向等综合作用下,转变观念,致力于为人民创作。他们立足解放区现实,感受时代精神,以艺术的真实为逻辑起点,推动了延安美术的发展。解放区美术家创作道路的探索与转型,对当代美术家坚持以人民为中心的创作导向具有重要的启示意义。
During the War Against Japanese Aggression, to deal with the decoupling of artistic creation and publicity in liberated areas, the Communist Party of China(CPC) helped change the thoughts of artists and encouraged them to engage in peopleoriented creation through such means as providing ideological education, implementing policies and guiding publicity, including holding the Yan’an Forum on Literature and Art and carrying out artistic activities in rural ares. Later, artistic creation was based on the reality of liberated areas and spirits of that period, which promoted artistic development in Yan’an. The exploration and transformation of creation in liberated areas are important sources of inspiration for contemporary artists to remain committed to people-centered creation.
出处
《美术》
CSSCI
北大核心
2022年第9期15-20,14,共7页
Art Magazine
基金
2018年国家社科基金项目“抗战时期中国共产党形象的图像传播研究(1931—1945)”(编号:18BXW009)阶段成果。
关键词
解放区美术
延安文艺座谈会
《讲话》
文艺下乡
创作转型
art in liberated areas
the Yan’an Forum on Literature and Art
the Talks at the Yan’an Forum on Literature and Art
artistic activities in rural ares
transformation of creation
作者简介
赵昊安徽师范大学新闻与传播学院副院长、教授。
