摘要
“米纳羌姆”是西藏林芝地区特有的仪式舞蹈,“米纳”在藏语中表示俗人,因此“米纳羌姆”也称为俗人金刚舞。相传该舞蹈距今已有上千年的历史,目前已成为国家级非遗项目。“米纳羌姆”传承至今,表演形式并非一成不变。为适应新的社会文化环境,其表演时空、舞蹈结构,以及观众与舞者都表现出一定的变化,但是这些变化并没有消解传统舞蹈的特性,反而为其传承和发展起到了推动作用。新时期“米纳羌姆”表演的双重文化逻辑,使其在延续传统的基础上实现了新生。
This article mainly focus on the Mina cham which is a unique ritual dance in Nyingchi region of Tibet.Mina cham means the vulgar people in Tibetan language,so Minacham is also called the Vajra dance of the vulgar people.It is said that the dance has a history of more than one thousand years and has become a national intangible cultural heritage project.The form of Mina cham is not immutable.In order to adapt to the new social and cultural environment,its performance time and space,dance structure,audience and dancers all show certain changes,but these changes do not eliminate the characteristics of traditional dance,but promote its inheritance and development.The dual cultural logic of Mina cham performance in the new period makes it realize a new life on the basis of continuing the tradition.
出处
《西藏艺术研究》
2022年第2期52-58,共7页
Tibetan Art Studies
作者简介
嘎鲁桑姆,中央民族大学藏学研究院藏学(藏族历史)专业2020级硕士研究生。
