摘要
茌平黑陶文化历史悠久,属于龙山文化遗产。在历史上,茌平黑陶生产主要是作为民众群体生计,多以村落为单位制造,民众用以补贴家用。进入新时代后,伴随工业革命的开展,传统的茌平黑陶生产业受到了冲击,为了迎合当下民众的需求,茌平黑陶的功能开始由实用向审美转变,黑陶制作艺人赋予黑陶以生命和精神诉求,使之逐渐成为茌平乃至聊城地区重要的区域文化代表。
Chiping black pottery,mainly black pottery utensils produced in chiping district of Liaocheng City,has a long cultural history and belongs to the cultural heritage of Longshan,and has been developing until now without interruption.Historically,Chiping black pottery production was mainly used as a livelihood for the masses,mostly manufactured in villages,and used by the people to subsidize their families.After entering the new era,with the development of the industrial revolution,the traditional Chiping black pottery production industry has been impacted,in order to meet the needs of the current people,Chiping black pottery function began to change from practical to aesthetic,black pottery production artists gave black pottery life and spiritual appeal,making it gradually become an important regional cultural representative of Chiping and even Liaocheng area.
作者
潘娜
PAN Na(School of Fine Arts and Design,Liaocheng University,Liaocheng 252059,China)
出处
《聊城大学学报（社会科学版）》
2022年第4期11-15,135,共6页
Journal of Liaocheng University:Social Science Edition
基金
山东省社会科学规划传统文化研究专项(21CWHJ01)符码与社会:运河区域木版年画研究。
关键词
茌平黑陶
龙山文化
功能转向
Chiping
Longshan culture
group livelihood
aesthetic gaze
作者简介
潘娜(1980-),女,山东高密人,聊城大学美术与设计学院讲师。
