摘要
文章考证了渐江“逃禅”前“偕师入闽”的“师”,提出了“汪洪道”说。认为渐江在佛门中并未隔离与外界的交往,即使晚年宗净土宗时亦是,交游中的渐江既看到了倪瓒等前人真迹,也感受到时代变革下画坛的流行语言。这种流行语言反映了当时的风气、思潮、时代特征,对于渐江而言,他与流行语言若即若离的关系是意味深长的。
The article makes a textual research on the"teacher"who"went to Fujian"with Jian Jiang before he"escaped from the world by believing Zen",and puts forward the idea that the teacher was"Wang Hongdao."Jian Jiang had not isolated himselffrom the outside world when he was converted to Buddhism,nor even in his later years when he was converted to the Pure Land Sect.While making friends,Jian Jiang not only saw the authentic works by Ni Zan and other predecessors,but also felt the popular language in the painting world under the change of the times.The popular language reflected the prevailing atmosphere,ideological trend and the character of the times at that time.For Jian Jiang,his ambiguous relationship with popular language wassignificant.
出处
《南京艺术学院学报（美术与设计）》
CSSCI
北大核心
2022年第3期64-68,I0003,共6页
Journal of Nanjing Arts Institute:Fine Arts & Design
基金
国家社科基金艺术学一般项目《文人、僧人与黄山景致——渐江山水画中的流行语言与个人经验》(19BF075)
国家社科基金艺术学重大项目《中国传统美术的当代复兴研究》(21ZD23)阶段性研究成果。
关键词
渐江
偕师入闽
汪无涯
逃禅入净
山水画
流行语言
Jian Jiang
entering Fujian with his teacher
Wang Wuya
Escaping from Zen to Jing
Shanshui painting
popular language
作者简介
吕少卿(1972-),男,江苏东台人,南京艺术学院教授,博士生导师,研究方向:中国美术史。
