摘要
巫山文化传播过程中,历代巫山图和巫山题画诗起着重要作用。巫山图的创作始于东晋宗炳,唐代巫山自然景观与历史文化逐渐成为绘画对象,初步确立了巫山文化的图像传播方式与内容,宋元明清时期的巫山文化图像传播方式、内容、媒介等得到全面发展。巫山题画诗始于庾信,唐代渐多,他们以此表现对巫山自然景观与巫山神女之称赞。两宋时巫山题画诗内容得到发展,出现了以神女言花之美、将巫山神女与王昭君形象关联、巫山神女之瑶姬形象的生成等新的巫山文化因素,巫山题画诗对巫山文化的书写内容与模式大体确定下来,形成了较为稳定的书写传统。元明清到近代的巫山题画诗主要是延续这一书写传统。
Ancient Wushan’s paintings and poems played an important role during the spread of Wushan culture.It was first created by Zong Bing in the Eastern Jin dynasty.In this way,natural landscape and historical culture of Wushan gradually became the objects of painting in the Tang dynasty,which established the image transmission modes and contents of Wushan culture.Then the image dissemination contents,methods and media of Wushan have been fully developed in the following Song,Yuan,Ming and Qing dynasties.Wushan’s painting poems(poems written with Wushan cultural images)began with Yu Xin and grew in in the Tang dynasty,which expressed the praise for the natural landscape and goddess of Wushan.In the Song dynasty,the painting poems of Wushan became mature.They praised the beauty of flowers by goddess,related Wushan’s goddess with famous beauty Wang Zhaojun,and created the image of Yaoji the Wushan Goddess,thus to form new cultural factors of Wushan.The Wushan painting poems basically settled the content and mode of Wushan culture and formed a relatively stable writing tradition.The content of Wushan painting poems from Yuan,Ming,Qing dynasties to modern times mainly remained this tradition.
作者
张华林
ZHANG Hualin(School of Arts,Chongqing Three Gorges University,Chongqing 404020,China)
出处
《重庆三峡学院学报》
2022年第3期12-22,共11页
Journal of Chongqing Three Gorges University
基金
重庆市高等教育教学改革研究项目“师范专业认证下的中国文学类课程教改研究”(203450)。
关键词
巫山
巫山神女
绘画
题画诗
Wushan
Wushan’s goddess
painting
painting poem
作者简介
张华林(1977-),男,重庆合川人,重庆三峡学院文学院副教授,文学博士,主要研究先秦两汉文学与文化。
