摘要
从国家社科基金艺术学立项项目研究角度切入,将2010-2019年间有关西部少数民族民间美术研究的立项项目作为研究对象,对项目类型、项目负责人及其所在单位,以及项目名称的高频词等内容进行统计分析。研究表明,近十年来西部少数民族民间美术立项总体呈持续增长态势,不但注重基础理论研究,而且与时俱进,项目研究紧密与国家政策导向关联。西部少数民族民间美术研究的未来发展,应继续加强基础理论研究,注重实践应用研究,关注艺术学新兴边缘学科研究。
Art research projects supported by the National Social Science Fund of China(NSSFC)are art research projects at the highest level in China.To a certain extent,they reflect two features of art research in China:its latest progress and its overall level.These projects play a certain guiding role in the research direction and content of the whole discipline.Until now,there hasn t been any analysis of the research of ethnic peoples folk art in western China based on the data coming from art projects supported by NSSFC.By manually screening the“Compilation of National Art Science Planning Projects(2013-2018)”provided by the National Art Science Planning Project Application and Management System,as well as the list of projects established in 2010,2011,and 2019 published by the National Philosophy and Social Science Planning Office,we find there have been a total of 90 projects related to the research of ethnic minority folk art of western China over the last ten years.These projects display the following trends in research on folk art of ethnic peoples in western China over the past ten years:(1)focusing on the construction of a basic theory of folk art,it can be seen that these projects have attached great importance to the study of historical theory and strive to build up a theoretical system of traditional ethnic art research;(2)integrating closely with national conditions:the academic field of art closely follows the development of the national situation,focusing on research regarding strategic as well as broad issues.With the introduction of a several national policies,research on folk art has also changed.For example,research on the intangible cultural heritage of ethnic minority folk art in western China remains a constant hot topic;and“precise poverty alleviation,”“rural revitalization,”and“cultural industrialization”have become high-frequency words in folk art research.And(3)focusing on frontier issues and innovation in academic research.With China s social development,the art research projects supported by the NSSFC are paying growing attention to emerging and interdisciplinary subjects.Research on folk art should indeed break through disciplinary constraints-not only showing its own characteristics but also absorbing multidisciplinary research methodologies and outcomes-so as to solve practical problems faced by the national art field.Based on the above analysis,this article proposes that:(1)While basic theoretical research will continue,practical and applied research needs to be intensified.With the rapid development of national culture construction,the promotion of research studies on folk art application countermeasures and practical issues will be one of the future directions;(2)future research should pay more attention to emerging problems in the academic field of art.It should make up for the limitations of traditional scholarly research on folk art,provide more chances for interdisciplinary work and exchange so as to expand academic horizons and promote the development of art research.
作者
周梅
刘兴全
Zhou Mei;Liu Xingquan(School of Art,Southwest Minzu University,Chengdu,610041,Sichuan,China)
出处
《民族学刊》
CSSCI
北大核心
2021年第9期93-100,124,共9页
Journal of Ethnology
基金
2014年度教育部人文社会科学研究课题项目“藏彝走廊民间美术资源的调查整理与开发研究”(14YJC760091)
四川省文化和旅游厅2020年度文化和旅游科研项目(重点项目)“文旅融合背景下藏羌彝走廊少数民族传统文化IP的开发利用”、西南民族大学2021年中央高校基本科研业务费专项资金项目“茂县原生态羌文化走廊建设及产业发展对策研究”(2021FWMZ03)阶段性成果。
关键词
国家社科基金
艺术学
现状
民间美术
National Social Science Fund of China
the discipline of art
status quo
folk art
作者简介
周梅(1975-),女,重庆人,西南民族大学艺术学院副教授、硕导,研究方向:艺术设计、少数民族艺术;刘兴全(1965-),男,四川资阳人,西南民族大学艺术学院院长、二级教授、硕导,国家民委领军人才、四川省学术和技术带头人,研究方向:历史与文化。四川成都610041。
