摘要
八大山人行书的笔画简约、古厚、圆畅、遒韧,结字奇荡、峻扬、疏阔、纵展,章法参差、欹侧、腾越、多重,表现出散率、幽远、拙朴、浑浩、闲适、空明、高旷、超拔等意味、情趣、气度,既彰显了鲜明的风格特征,又具备了行书书体的艺术典范性,充分体现了行书的笔画技法、结字规律、偏旁形式和章法特性,艺术意蕴丰厚,审美格调高超。八大山人行书不仅具有特别重要的艺术地位,在当代书法教学和审美教育中也具有非常突出的价值。
Badashanren's running script is brief,thick,smooth and graceful,and the characters are strange,majestic,sparse,vertical,uneven,tilt,surging,multiple,showing scattered rate,seclusion,simplicity,grandiosity,leisure,emptiness,loftiness,transcendence,etc.,which not only shows characteristics with distinct styles,but also has the artistic model of running script style.It fully embodies running script's stroke techniques,structure rules,radical forms and art of composition,with rich artistic implications and superb aesthetic styles.The running script of Badashanren has not only a very important artistic position,but also a very outstanding value in contemporary calligraphy teaching and aesthetic education.
作者
宋民
SONG Min(School of Art,Dalian Art College,Liaoning 116600,China)
出处
《美育学刊》
2022年第2期38-43,共6页
Journal of Aesthetic Education
关键词
八大山人
行书
审美特性
笔画
结字
章法
Badashanren
running script
aesthetic characteristics
strokes
structure
art of composition
作者简介
宋民(1957—),男,辽宁大连人,文艺学硕士,大连艺术学院美术学院教授,主要从事书法、艺术理论、美学研究。
