摘要
"沉浸"是近年来文化产业发展的核心词汇,营造沉浸体验、构建沉浸业态是面向消费者的文化产业各行业发展的共同追寻,并形成了"沉浸"背后的文化逻辑。从跨学科视角来看,诸多学科对"沉浸"的理论构成皆有贡献:人文艺术学科为其提供了多样世界观,新闻传播学科为其架起了解读社会的桥梁,教育心理学科为其提供了探索人类自身的窗口,技术哲学为其展望了"沉浸"之于人类未来的价值。理解"沉浸"的四象限模式整合了上述学科的理论探索,指出"沉浸"的核心要义在于探索以身体为媒介的空间与传播的关系,"沉浸"的文化逻辑是依托于技艺、技术、技能围绕身体实现空间的生产,在"沉"与"浸"的主体性翻转中实现身体知觉与空间造境相融合,并进而推动了"数字化身体"的产生。
In the construction of immersion theory, different disciplines offer varied perspectives: the humanities and arts discipline has built diverse world views, the journalism and communication dimension has built a bridge to interpret society, the field of education and psychology has provided a window to explore human beings, and the philosophy of technology looks forward to future relationship between immersion and human beings. Different from the subject vision, the four-quadrant model of immersion focuses more on problem orientation, which regards the core of immersion as the relationship between body and space. Immersion phenomenon is to realize the production of space around the body based on art, technology and skill. There is a debate of subjectivity between “merge” and “submerge”, which promotes the emergence of “digital body”.
作者
张铮
刘钰潭
Zhang Zheng;Liu Yutan
出处
《南京社会科学》
CSSCI
北大核心
2022年第2期165-172,共8页
Nanjing Journal of Social Sciences
基金
国家重点研发计划重点专项“促进文化和科技融合特色产业集聚和公共服务平台机制与模式研究”(2019YFB1406001)的阶段性成果。
关键词
沉浸
身体
空间
跨学科
主体性
immersion
body
space
interdisciplinary
subjectivity
作者简介
张铮,清华大学新闻与传播学院长聘副教授,北京100084;刘钰潭,清华大学新闻与传播学院博士生,北京100084。
