摘要
中国古代绘画品评体系主要分为三大序列:以气韵生动为纲领的六法论,以体道为中心的品第说,以及人品即艺品的文艺道德品评。这三个序列构成了中国古典绘画品评最重要的标准,并引领和影响了中国古代绘画的走向与价值标准。三个序列有其自身的内在逻辑,其建立和演变是古典哲学、美学、社会人文在画论中的必然反映,其流行及稳定性是社会对文艺的价值预期和绘画在古代的演变相对简单所决定的。三个序列除了自身的内在逻辑,相互之间也有逻辑性:"六法"是奠基性的品评标准,其他两个序列均是其不同维度的演绎、生发。
The evaluation system of ancient Chinese painting is mainly divided into three sequences: the six Dharma theory focusing on vivid charms, the Pindi theory with experience truth as the center, and the literary and moral evaluation of character being the character of painting. These three sequences constitute the most important standards for the evaluation of Chinese classical painting, which lead and affect the trend and value standards of Chinese ancient painting.The three sequences have their own internal logic. Their establishment and evolution are the inevitable reflection of classical philosophy, aesthetics and social humanities in painting theory. Their popularity and stability are determined by the social value expectation of literature and art and the relatively simple evolution of painting in ancient times. In addition to their own internal logic, the three sequences also have their logic with each other, the "Six Dharma theory" being the foundation evaluation standard, and the other two sequences being the deduction and development of their different dimensions.
作者
王宗英
WANG Zong-ying(School of Art,Nanjing University of Aeronautics and Astronautics,Nanjing 210016,China)
出处
《南通大学学报（社会科学版）》
CSSCI
2022年第1期131-140,共10页
Journal of Nantong University:Social Sciences Edition
基金
江苏省社会科学基金项目“两宋女性图像的文化生态与传播形式研究”(19YSD007)。
关键词
六法论
品第说
体道
人品即艺品
Six Dharma theory
Pindi theory
experience truth
artist’s character being the character of painting
作者简介
王宗英(1978-),女,山东潍坊人,南京航空航天大学艺术学院副教授,硕士生导师,美术学博士,中国美术家协会会员。
