摘要
在全民族抗战期间,新四军美术工作者经历了一场灵魂上的洗涤,他们以抗日救国为己任,弘扬抗日救亡主旋律,用画笔唤醒民众斗志,引导人民投身革命,反抗外敌侵略,积极宣传抗战救亡。新四军与华中抗日根据地美术工作者创作的美术作品具有强烈的战斗性和现实性,具有深刻的思想内涵和鲜明的时代主题,成为当时鼓舞全国人民团结一致奋起抗日的鲜明旗帜。
During the total resistance against Japanese aggression by the whole nation,the art workers of the New Fourth Army have been baptized by war.They embarked on the campaign of resisting Japanese aggression and saving the country,boosting the morale and mobilizing the people through their art works.The art workers of the New Fourth Army and the Anti-Japanese base areas in Central China have created many works,highlighting the unyielding and unswerving spirit.The profound ideological connotation and distinct theme have made the works a great banner to unite the people of the whole country to rise up against Japanese invasion.
作者
陈红
CHEN Hong(School of Art and Design, Yancheng Teachers University, Yancheng, Jiangsu, 224007, China)
出处
《盐城师范学院学报（人文社会科学版）》
2022年第1期62-68,共7页
Journal of Yancheng Teachers University（Humanities & Social Sciences Edition)
基金
江苏省社科基金一般项目“新四军与江苏抗日根据地乡村社会重构研究(19381945)”(20LSB004)。
关键词
新四军
华中抗日根据地
美术作品
抗日救亡
the New Fourth Army
Anti-Japanese base areas in Central China
art works
campaign of resisting Japanese aggression and saving the country
作者简介
陈红(1976-),女,安徽淮北人,盐城师范学院美术与设计学院副教授,主要从事艺术史研究。
