摘要
文章运用回溯性归纳总结的方法,分析了中国藏族题材舞剧创作历程及其主要风格特点。将文本所塑造的人物形象、铺展艺术情节的舞剧作品作为分析对象,挖掘传统文化的内容与形式,并用人类学"他者"与"自我"的文化视角解读21世纪编创者们创作的文本中的人与事,以自我言说的方式阐述了西藏文化。同时,解析了编创者探求现实主义普适性人文关怀的情况、叙事能力的创新,以及如何实现新的美学追求等情况。
This article analyzes the creation process,main styles and characteristics of China’s Tibetan dance dramas by using the method of retrospective summary.Taking the character images created in texts and the dance dramasin artistic plots as the analysis objects,a research has been done toexcavatethe content and form of traditional culture,and interpret the people and happenings in the texts created by the editors of the 21st century from the cultural perspective of "other" and "self" in anthropology,and expounds the Tibetan culture in a self-explanatory way.Furthermore,the author analyzes the creators’ exploration of realism universal humanistic concern,the innovation of their narrative ability,and the realization of their new aesthetic pursuit.
作者
阿宫
A Gong(School of Dance,Northwest Minzu University,Lanzhou,Gansu 730030)
出处
《西藏大学学报（社会科学版）》
CSSCI
北大核心
2021年第3期128-135,共8页
Journal of Tibet University
关键词
中国藏族舞剧
创作历程
藏戏
传统文化内涵
现实题材
China’s Tibetan dance dramas
creation process
Tibetan drama
traditional cultural connotation
realistic themes
作者简介
阿宫,男,藏族,青海海南人,西北民族大学舞蹈学院副教授,主要研究方向为中国民族民间舞蹈理论。
