摘要
发端于城市,并在一个个具体空间、地点中展开的社会参与式艺术,因为对“在地性”“现场性”的强调,从而使连绵不断的地点、空间不再是作品被动的容器或载体,而是在时间延异中呈现出的“场域”。当艺术与不确定的“场域”或“情境”相遇,注重肉身化的体验与感知,以持续性艺术项目或公共空间建构等方式,发现和感知被遮蔽的城市褶皱,“场域感知”才能作为一种方法,在“场域”和“情境”中阐释人与人、人与物、人与自我的居间性关系,并促成新感性与新艺术语言的生成。这对于当代艺术在中国土壤中的落地生根尤为重要。对艺术个案进行讨论,进而在艺术史和艺术哲学的框架中梳理城市参与式艺术的兴起、展开及其美学脉络,分析这类前卫艺术实践与观看机制的转变、艺术的社会学转向之间的关联,可以厘清参与式艺术的重要美学价值,即通过身体性的“场域感知”,与地方、现场形成互动,生成公共关怀和新型艺术语言。
The social participatory art started in the city,and unfolded in specific spaces or places.Because of the emphasis on″locality″and″site-specificity″,the continuous locations and spaces have become the″field domains″emerging in the time extension rather than the passive containers or carriers of the works.When arts encounter situations and fields with uncertainty,experiences and perceptions of participators will enable many wrinkles and cracks in the city discovered and perceived through continuous art events or constructions of public spaces.Then′the field perception′can be regarded as a method,which will interpret the intermediary relationships between different people,between people and things,and between people and themselves in″situations″and″fields″,and promote the generation of new sensibility and new artistic language.This is especially important for the contemporary art to take root in the Chinese soil.Discussing art cases and combing the rise,development and aesthetic context of the urban participatory art within the framework of art history and art philosophy can clarify the important aesthetic value of the participatory art.That is,the interaction of physical″field perception″with the places and the scenes will generate public care and new artistic language.
作者
张意
ZHANG Yi(The College of Literature and Journalism,Sichuan University,Chengdu,Sichuan 610064,China)
出处
《广州大学学报(社会科学版)》
CSSCI
2021年第5期109-117,共9页
Journal of Guangzhou University:Social Science Edition
基金
四川省社会科学基金项目(SC20B054)。
关键词
城市
社会参与式艺术
在地实践
场域感知
具身化
cities
social participatory arts
site-specific practice
field perception
embodiment
作者简介
张意,四川大学教授,从事英语文学、文化批评、城市文化研究。