摘要
设计内涵在新语境下不断丰富,传统设计美学审美维度需要更新。文章从传统文化角度出发,以新视角探索设计之美,剖析创新美,以丹麦设计师汉斯·瓦格纳的“中国椅”为例,对比中国明式圈椅两者之间的造型、生产方式、社会背景等内容,阐述新内涵、新需求、传统正推力在传统文化创新美中的含义,并进一步提出实现传统文化创新美的五大路径。
The connotation of design is constantly enriched in the new context,and the aesthetic dimension of traditional design aesthetics needs to be updated.From the perspective of traditional culture,the article explores the beauty of design from a new perspective,analyzes the beauty of innovation,and takes Danish designer Hans Wagner's"Chinese chair"as an example to compare the shapes,production methods,and society between the two Chinese Ming-style armchairs Background and other content,expounds the meaning of new connotations,new demands,and traditional positive forces in the beauty of traditional cultural innovation;and further proposes five major paths to realize the innovative beauty of traditional culture.
作者
林娅兰
向云波
LIN Ya-lan;XIANG Yun-bo(School of Architecture and Art Design,Hunan University of Science and Technology,Xiangtan,Hunan,411201)
关键词
设计美
创新美
传统文化
现实路径
Design Beauty
Innovative Beauty
Traditional Culture
Realistic Path
作者简介
林娅兰(1996-),女,湖南科技大学建筑与艺术设计学院在读硕士研究生;通信作者:向云波(1978-),男,湖南科技大学建筑与艺术设计学院副教授、硕士生导师,博士(后)。E-mail:xiangyb05@aliyun.com。
