摘要
2017年《中国有嘻哈》的出现,开创了说唱选秀类节目“真人秀+选秀”叙事模式的先河,说唱音乐也因此在中国掀起热潮。中国近几年的说唱选秀类节目主要的叙事者为选手和导师,选手互动形成对叙事主线的建构,导师在叙事中起辅助作用;叙事主题以内容表达为主,“隐含作者”和叙事主体起到了重要的建构作用;叙事结构为真人秀节目。素人化的叙事主体、内容化的叙事主题及“真人秀”的叙事结构等创新设计,对“以选秀为故事主线的剧情式真人秀”模式进行了补充与完善;节目中叙事场景建构生活化、规则制定情景化、叙事话语人情化三方面的创新,为剧情式真人秀叙事模式注入了新的活力。
In 2017,the Rap of China was launched to start the"reality show+talent show"narrative mode for rap talent shows.Since then,rap music became very popular in China.In recent years,the contestants and mentors have acted as the main narrators in rap talent shows in China.Specifically,contestants interact with each other to form the main story line and mentors support them to facilitate the storytelling;the narrative theme is based on content expression and the"implied author"and narrator play important roles in storytelling;and the narrative structure is a reality show.Innovative designs such as ordinary narrator,content-based narrative theme and"reality show"narrative structure supplement and improve the model of"dramatic reality show with talent show as the main story line".Besides,the lifestyle narrative scenario,scenic rulemaking and humanized narrative words inject new vitality to the narrative model of dramatic reality show.
作者
贾雨歌
王建华
Jia Yuge;Wang Jianhua
出处
《中华文化论坛》
北大核心
2021年第4期137-144,159,共9页
Journal of Chinese Culture
关键词
叙事模式
说唱选秀节目
叙事策略
Narrative mode
rap talent show
narrative strategy
作者简介
贾雨歌,中国传媒大学学生;王建华,中国传媒大学新闻学院副教授,北京100024。
