摘要
方东美的“生生美学”以中国文化为本体,贯之以“生生之道”,言及体现普遍生命创造的生生之美、融贯之美、无言之美,融通原始儒家、原始道家与中国大乘佛学,对中国人的艺术理想进行了精妙阐释,其目的在于生命境界的提升。对方东美“生生美学”思想的探索,为我们建立体现民族精神、融贯古今中西的“生生美学”体系,推动中国美学走向世界具有极大的借鉴价值和重要意义。
Thomé H.Fang's Aesthetics of Creative Creativity takes Chinese culture as its noumenon,and follows“Tao of creative creativity”,which is manifested as stupendous power and energy explicable in terms of creative creativity.It embodies the beauty of life,the beauty of integration and the beauty of wordlessness that are created by universal life.It integrates the primordial Confucianism,the primordial Taoism and Chinese Mahāyāna Buddhism to elaborate the artistic ideal of the Chinese people exquisitely,aiming at the promotion of the realm or ideal harmony existence of life.The exploration of ThoméH.Fang' s Aesthetics of Creative Creativity has important reference value and meaning for us to establish a system of“aesthetics of life creation”that embodies the national spirit,integrates the ancient and modern Chinese and western cultures,and promotes Chinese aesthetics to the world.
作者
曾繁仁
庄媛
Zeng Fanren;Zhuang Yuan(The Center for Literary Theory and Aesthetics of Shandong University,Shandong University,Jinan 250100,P.R.China)
出处
《山东大学学报（哲学社会科学版）》
CSSCI
北大核心
2021年第4期132-141,共10页
Journal of Shandong University(Philosophy and Social Sciences)
关键词
方东美
生生美学
生命创造
艺术理想
生命境界
ThoméH.Fang
Aesthetics of Creative Creativity
Life creation
Artistic ideal
The realm of life
作者简介
曾繁仁,山东大学文艺美学研究中心教授,zfr@sdu.edu.cn;庄媛,山东大学文艺美学研究中心博士研究生,zhuangyuansd@qq.com。
