摘要
体验通过诉诸于个体参与和意义建构等方法来挑战传统、官方、权威的单一声音,进而重新发现那些有意或无意间被隐藏起来的观念、行动与经验。作为一种批判性、甚至是替代性路径,体验迅速在博物馆、遗产地、休闲与旅游地等文化展示场所站稳脚跟。总体而言,针对该现象的既有研究要么缺乏跨学科的整体关照和比较视野,要么不加思索地颂扬与拥抱体验的价值。基于此,涉及博物馆、遗产、休闲与旅游等研究领域的研究视角有助于系统探究体验缘何兴起的动力、体验得以可能的实践与体验可能引发的风险。
Relying on individual participation and concept building and other ways, experience challenged the unitary voice of tradition and authority, further rediscovered those concepts, actions and former experiences that hidden either intentionally or unintentionally. As a way of criticizing, even of replacing, experience rapidly established itself in museums, heritage sties, and travel destinations. Generally speaking, current studies are lacking of cross-disciplinary overall concerns and comparative views, as well as roughly praise and embrace the value of experiences. Based on the above, introducing the view of museum, heritage, casualty, and tourism to the research may contribute to systematically understand the motivation, possibility, and risks of experiences.
作者
尹凯
Yin Kai(Shandong University,Qingdao,Shandong,266237)
出处
《中国博物馆》
北大核心
2021年第2期30-34,126,共6页
Chinese Museum
基金
国家社科基金青年项目“博物馆民族志视角下的中国革命文化展览红色叙事研究”(项目编号:20CMZ027)的阶段性成果。
关键词
博物馆
体验
遗产地
文化展示场所
展演
表征
Museum
Experience
Heritage Sites
Cultural Exhibiting Sites
Exhibitions and Performances
Features
作者简介
尹凯,男,山东大学文化遗产研究院副教授,主要研究方向:人类学理论与方法,博物馆研究,遗产研究。电子邮箱:yinkailove@126.com.
