摘要
科幻电影是当今世界最重要的电影类型之一。西方学术界晚近兴起的后人类主义,与科幻电影相互建构,为理解科幻电影提供了理论视野和研究方法。随着我国电影工业化水平的提升,《流浪地球》和《疯狂的外星人》两部科幻佳作相继问世,为舶来的科幻电影“中国化”发展指出了两条路径:其一是对科幻危机的拯救提出中国方案,其二则是对西方科幻神话进行彻底的祛魅。尽管两条路径的艺术表现形式大相径庭,对科幻的理解也各不相同,然而两条路径又大抵殊途同归,都致力于促进民族电影工业的振兴和探索“中国式”的科幻电影和科幻文化。
Science fiction film is the most important film type in contemporary world.Emerging in Western academic filed during the past few years,posthumanism is a mirror to science fiction film.It provides theoretical perspective and research method for us to understand science fiction film.With the development of Chinese film industrialization,two science fiction masterpieces,The Wandering Earth and Crazy Alien,have appeared in succession.These two different films show two paths for the“sinicization”development of imported sci-fi films:one is to put forward a Chinese plan to save the sci-fi crisis,the other is to thoroughly disenchant the Western sci-fi myth.Although the artistic forms of the two paths are quite different,and the understanding of science fiction is also different,the two paths are mostly the same,and they are committed to promoting the revitalization of the national film industry and exploring the“Chinese style”science fiction film and science fiction culture.
作者
周达祎
ZHOU Dayi(School of Communication,Fujian Normal University,Fuzhou 350117,China)
出处
《重庆邮电大学学报（社会科学版）》
2021年第4期155-163,共9页
Journal of Chongqing University of Posts and Telecommunications(Social Science Edition)
基金
国家社会科学基金艺术学重点项目:新形态、新问题、新趋势——21世纪中国电影的失序与重构(17AC002)。
作者简介
周达祎(1991-),男,福建永春人,博士研究生,主要从事电影文化与影视批评研究。
