摘要
在中国的制瓷历史中,清代是陶瓷艺术史上的黄金时期。景德镇陶瓷业发展到瓷器的最高峰,其中清代瓷质花盆的装饰题材极为丰富,旨在满足帝王的审美需求,通过纹饰的象征含义来体现统治阶级的意志。清代瓷质花盆所装饰的吉祥纹饰善于吸纳各类艺术之长,每一类具体的纹饰都有着不同的象征意义,笔者将对清代瓷质花盆的吉祥纹饰进行剖析,研究其背后深厚的文化内涵与审美价值。
In the history of porcelain making in China,the Qing Dynasty is the golden age in the history of ceramic art.The ceramic industry in Jingdezhen reached its peak,among which the decorative themes of porcelain flowerpots in the Qing Dynasty were extremely rich,aiming to meet the aesthetic needs of emperors and to reflect the will of the ruling class through the symbolic meaning of ornamentation.The auspicious patterns decorated by porcelain flowerpots in the Qing Dynasty are good at absorbing the advantages of various arts,and each specific pattern has different symbolic meanings.This paper will analyze the auspicious patterns decorated by porcelain flowerpots in the Qing Dynasty,and study the profound cultural connotation and aesthetic value behind them.
作者
王智元
Wang ZhiYuan(Jingdezhen Ceramic Institute,Jing Dezhen,333403)
出处
《陶瓷》
CAS
2021年第5期84-86,共3页
Ceramics
关键词
清代
花盆
装饰
Qing Dynasty
Flowerpot
Decoration.
作者简介
王智元(1997-),硕士生在读,主要研究方向为陶瓷艺术设计与理论研究。
