19世纪意大利歌剧的传播:复兴运动背景下的文化融合与政治色彩被引量：3

The Spread of Italian Opera in the Nineteenth Century:Cultural Fusion and Political Style in Italian Revival

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摘要 19世纪的意大利正处于复兴运动时期,现实世界和艺术思维的碰撞迸发出诸多优秀的作曲家和歌剧作品,并在整个欧洲范围广泛传播,形成了当时人们在歌剧创作中普遍追求的"意大利化"。对此,我们将歌剧作为文化体系和历史背景的一个现实反映来对这一段音乐史重新进行考察,在探索19世纪意大利歌剧创作与传播的同时,也对社会历史赋予它的文化融合性与政治意识性进行了梳理分析。研究发现,19世纪意大利歌剧发展历史的缩影就是对整体文化和社会发展的一个复制,是在歌剧家创作构思和政治意识觉醒方面的具体写实。 In the 19th century,Italy was in the period of revival.The collision between the real world and artistic thinking broke out many excellent composers and opera works,which were widely spread throughout Europe,forming the"Italianization"that people generally pursued in opera creation at that time.In this regard,we take opera as a realistic reflection of the cultural system and historical background to re-examine this period of musical history,explore the creation and dissemination of Italian opera in the 19th century,and at the same time,comb and analyze the cultural integration and political consciousness endowed by social history.It is found that the epitome of the development history of Italian opera in the 19th century is a copy of the overall cultural and social development,which is a concrete reality in terms of the creative conception and awakening of political consciousness of opera singers.

作者许艳玲 XU Yan-ling(School of Music Educational,Shenyang Conservatory of Musci,Shenyang,Liaoning 110818)

机构地区沈阳音乐学院音乐教育学院

出处《艺术百家》 CSSCI 北大核心 2021年第2期131-136,共6页 Hundred Schools In Arts

基金国家自然科学基金“贸易开放与中国文化多样性变迁”(项目编号:71863032)的阶段性成果之一。

关键词意大利歌剧 19世纪复兴运动文化融合政治色彩 Italian opera 19th century Italian Revival Cultural Fusion Political Style

分类号 J60 [艺术—音乐]

作者简介许艳玲(1983—),女,汉,黑龙江大庆人,中国音乐学院音乐学硕士,沈阳音乐学院音乐教育系副教授。研究方向:美声技法,意大利歌剧史。