摘要
苏轼在诗、词、散文方面之所以取得巨大成就,为宋代文学创作开创了新的格局,离不开其对“华采为末,体用为本”修辞思想的推重。这一思想包含了文学创作注重功用性、反对空虚浮华的语言修辞两层内涵,经过苏轼自身的消化吸收、融会贯通,在其作品中得以充分体现。该思想的形成主要受到儒家文化、家庭教育以及社会因素的影响。研究苏轼“华采为末,体用为本”的修辞思想,对深化苏轼修辞研究、促进当下的文学创作无疑是有意义的。
The reason why Su Shi made great achievements in poetry, ci and prose and created a new pattern for literary creation in the Song Dynasty is inseparable from his emphasis on the rhetorical thought of "literary talent being the incidental, practicality the fundamental". This thought contains two levels of connotation, that is, paying attention to the function of literary creation and opposing the rhetoric of emptiness and vanity. These elements have been digested and assimilated by Su Shi himself, and are evident in his works. In addition, the formation of this thought is mainly influenced by Confucian culture, family education and social factors. The study of Su Shi′s rhetoric thought of "literary talent being the incidental, practicality the fundamental" is of great significance for deepening the study of Su Shi′s rhetoric and enlightening the current literary creation.
作者
马文秀
李少丹
MA Wenxiu;LI Shaodan(Literature Institute,Minnan Normal University,Zhangzhou Fujian 363000,China)
出处
《江苏科技大学学报（社会科学版）》
2021年第1期35-40,54,共7页
Journal of Jiangsu University of Science and Technology(Social Science Edition)
关键词
苏轼
“华采为末
体用为本”
修辞思想
形成因素
Su Shi
"literary talent being the incidental,practicality the fundamental"
rhetoric thought
formative factor
作者简介
马文秀(1992—),女,广东广州人,闽南师范大学硕士研究生,主要从事汉语修辞学研究;李少丹(1964—),女,福建永春人,闽南师范大学教授,主要从事汉语修辞学研究。
