摘要
年终岁末,2020年注定是不平凡的一年。受新型冠状病毒肺炎影响,中国电影产业稳步前进的发展态势被踩下了急刹车,其在突发公共卫生事件下正面临着史无前例的困境。截至2020年末,中国电影内地电影票房勉强突破180亿元人民币,尚不及2019年票房总收入的三成。从困境与掣肘、转型与转机、反思与突围三个维度梳理与分析2020年中国电影产业的发展整体情况,可看出在此年间我国电影产业先后经历了产量骤减、投拍受限、影片撤档等种种大考,但与此同时也呈现着“由线下影院转向线上平台”的影片放映新趋势以及“由个体陈述深入家国叙事”的影片创作新风格。探究2020年中国电影产业的转型与突围,将为未来我国电影产业的正向发展提供更深远的致思路径。
The year 2020 is destined to be an extraordinary year.Affected by the COVID-19,China’s film industry is facing unprecedented difficulties in the face of public health emergencies.By the end of 2020,the box office on the Chinese mainland had barely exceeded 18 billion yuan,less than 30 percent of its 2019 total.By analyzing the overall development of China’s film industry in 2020 from three dimensions:difficulties and constraints,transformation and turnaround,reflection and breakthrough,it can be seen that China’s film industry has experienced a series of major tests,such as a sharp drop in production,limited projection,film withdrawal,etc.,but at the same time,it also presents the new trend of“from offline cinema to online platform”and the new style of“from individual statement to national narrative”.Exploring the transformation of China’s film industry in 2020 will evoke more profound thinking for the positive development of China’s film industry in the future.
作者
姜博
刘秀梅
JIANG Bo;LIU Xiu-mei(School of Communication,East China Normal University,Shanghai 200241,China)
出处
《太原师范学院学报（社会科学版）》
2021年第1期53-58,共6页
Journal of Taiyuan Normal University:Social Science Edition
作者简介
姜博(1993-),男,山西太原人,华东师范大学传播学院在读博士;刘秀梅(1960-),女,黑龙江哈尔滨人,华东师范大学传播学院教授,博士。
