摘要
中国电影思想史研究既关注文本、创作,更着力于问题意识和思想谱系的建构。"关切"与"预设"是思想史研究的方法论前提,有了人文关切,才能理解"人的意识世界"和"集体心态";早期电影的观念类型来自一种思想史的预设,是从后者中的提炼、剥离和析出。研究观念,即研究观念的起源、社会化和演化,阐释思想演化与社会变迁的互动关系。"问题意识"包含问题本身和问题展开的理论向度,要求不断发现问题,达成历时探源与共时探理的统一。
The research on the ideological history of Chinese film not only focuses on the text and creation, but also focuses on the construction of problem consciousness and thinking pedigree. " Concern" and " presupposition " are the methodological premises of the research on the history of thought. Only with humanistic concern can we understand "the conscious world of human beings" and "collective mentality". The conceptual types of early Chinese films are derived from a presupposition of intellectual history, which is extracted, separated and separated from the latter. The research on concept is to study the origin, socialization and evolution of ideas, and to explain the interaction between ideological evolution and social change. "Problem consciousness" includes the problem itself and the theoretical dimension of the problem development, which requires the continuous discovery of problems and the realization of the unity of diachronic exploration and synchronic exploration.
出处
《电影艺术》
CSSCI
北大核心
2021年第1期122-128,共7页
Film Art
基金
2020年度国家社科基金艺术学项目“中国电影思想史(1905—1949)”(项目编号:20BC035)的阶段性成果。
关键词
中国早期电影
思想史
观念类型
思想谱系
问题意识
early Chinese film
ideological history
conceptual types
thinking pedigree
problem consciousness
作者简介
安燕,西南交通大学人文学院教授、博士生导师。
