摘要
随着汉唐丝绸之路的开通,中国陶瓷与伊斯兰世界的交流日益频繁。中国陶瓷装饰纹样的发展历史中,不同时期都一定程度的展现出与伊斯兰文化交流融合的时代特征,形成了具有中国伊斯兰风的瓷器装饰面貌。明代正德时期,这种瓷器上的“中国伊斯兰风”主要表现为阿拉伯文或波斯文、开光装饰和植物纹样相组合的装饰特征。以具有中国伊斯兰风的正德官窑青花瓷装饰纹样为研究对象,通过对装饰母题的形式分析,探求其形式构成的方法、模式与规律,并对正德时期中国伊斯兰风格器物在中外文化交流中所承载的文化内涵进行诠释。
With the opening of the Silk Road in the Han and Tang Dynasties,the exchanges between Chinese porcelain and the Islamic world became increasingly frequent.In the development history of Chinese porcelain decorative patterns,the characteristics of the times in the exchange and integration with Islamic culture have been shown to a certain extent in different periods,forming the decorative features of porcelain with Chinese Islamic style.In the Zhengde period of The Ming dynasty,the " Chinese Islamic style"on the porcelain was mainly characterized by the combination of Arabic or Persian characters,paneled decoration and plant patterns.This article takes the blue and white porcelain decoration patterns of Zhengde imperial kiln with Chinese Islamic style as the object of research,explores the methods,models,rules of decorative form composition through the formal analysis of decoration motif and interprets the cultural connotations of Chinese Islamic style objects in the cultural exchanges between China and foreign countries during the Zhengde period.
作者
王爱红
罗顺仁
WANG Aihong;LUO Shunren(Jingdezhen Ceramic Institute,Jingdezhen 333000,China)
出处
《中国陶瓷》
CAS
CSCD
北大核心
2021年第2期98-105,共8页
China Ceramics
关键词
中国伊斯兰
正德
青花瓷
风格
装饰纹样
文化交流
Chinese Islam
Zhengde
Blue and white porcelain
Style
Decorative pattern
Cultural exchange
作者简介
王爱红,教授,博士生导师。
