摘要
近年来,随着极简美学走入大众视野,简洁自然的审美理念得到越来越多的认可,极简主义思潮因此而大行其道。其实,这种极简美学风格早在宋代文学艺术中即已得到一定展现,在“三教”合流、由外转内、理学本体思辨等因素的影响下,宋代文艺的审美取向发生了较大转变,平实晓畅、文从字顺、简朴平易成为人们的创作观念,在诗文、绘画、书法、工艺等领域出现了一种“简古高远”的艺术清流,尤其是在宋瓷简洁实用的器型、素净优雅的设色、自然内敛的装饰中,表现出了一种典型的“极简主义”风范。中国宋瓷的审美取向与现代西方盛行的极简主义思潮不谋而合,为此,探讨宋代文艺的审美取向,剖析宋瓷艺术中的极简主义风格,无疑具有重要的美学史价值和社会意义。
In recent years,with minimalism coming into the public view,the aesthetic idea of simplicity and nature has been recognized by more and more people,so minimalism is popular.As a matter of fact,this minimalist aesthetic style has been demonstrated in literature and art of the Song Dynasty.Plain and clear,simple and plain style has become people’s creative concept.In poetry,painting,calligraphy,crafts and other fields,there is a kind of“simple and lofty”artistic interest,and especially in the Song porcelain,simple and practical shape,simple and elegant color,natural and introverted decoration show a typical style of“minimalism”.The aesthetic orientation of the Song porcelain in China coincides with the minimalism prevailing in modern West.Therefore,it is undoubtedly of great aesthetic value and social significance to analyze the style of minimalism in the Song porcelain.
作者
张国庆
胡丹蕾
ZHANG Guo-qing;HU Dan-lei(School of Liberal Arts,Yunnan University,Kunming 650091,China)
出处
《河北学刊》
CSSCI
北大核心
2021年第2期112-118,共7页
Hebei Academic Journal
关键词
宋代文学艺术
极简主义
宋瓷
审美取向
literature and art in the Song Dynasty
minimalism
the Song porcelain
aesthetic orientation
作者简介
张国庆(1950-),男,云南昆明人,云南大学文学院教授、博士生导师,主要从事中国古代文学理论、文艺美学研究。;胡丹蕾(1996-),女,甘肃秦安人,云南大学文学院在读硕士生,主攻文艺美学。
