摘要
从现代建筑发展过程中建筑策展、理论话语生产和历史书写的缠绕关系出发,指出建筑展览在历史、理论与批评中所扮演的重要角色,并进一步就建筑策展在中国的兴起和对当代中国建筑的发展所起到的推动作用展开了讨论。文章认为作为建筑批评的一种形式的建筑策展,恰恰可以通过其场域性和公共性,突破文本批评的局限性,而建立起策展人、参展人、观众之间多个向度的、具有开放性的评论关系。
Star ting from the entangled relationship between architectural curation, the production of theoretical discourse and the writing of history in the development of modern architecture, the paper contends for the important role played by architectural exhibitions in history, theory and criticism, and further discusses the rise of architectural curation in China and its role in promoting the development of contemporary Chinese architecture. The paper argues that architectural curation as a form of architectural criticism can precisely break through the limitations of textual criticism through its site-specific and public nature, and establish a multi-directional and open criticism between curators, exhibitors, and audiences.
作者
李翔宁
莫万莉
张子岳
LI Xiangning;MO Wanli;ZHANG Ziyue
出处
《建筑学报》
CSSCI
北大核心
2020年第11期19-23,共5页
Architectural Journal
基金
国家自然科学基金项目(51878451)
国家社会科学基金重大项目(20ZD11)。
关键词
建筑策展
建筑批评
话语
场域性
公共性
architecture curation
architectural criticism
discourse
site
publicness
